Maud shares her Renaissance quilt from the Color Mastery workshop I taught this summer in Dawsonville.  My students use their color journals to discover the three elements of color and build unique palettes around their favorite color.  Even if quilters start out with the same blue, they’ll develop completely individual color palettes.  They truly discover their color personalities.

Last, I have students select one of their color palettes and build a fat quarter bundle from it:  one fat quarter for each color.  And I teach them how to use the Three Bears Rule of Color to know exactly how much of each color to use.  They can use that bundle to make the Renaissance quilt shown here.  Maud used a double-complementary color scheme of blue, orange, yellow, and violet, and what gorgeous results she got!

Maud was so inspired by her Renaissance quilt she decide to make a matching valance, and here she’s laying out the fabrics for it.  Discovering a new technique sparks the creative juices and gets new ideas flowing, and mastering color gives quilters the courage to try all kinds of new things.  Make time for an artist date for yourself and try these exercises.  You’ll never look at bolts of fabric the same way!

I want my work to last. Longevity is one of the three main goals I have for my books. The other two? A post for another day.

I realized long ago that it took just as long to write a book that was trendy and out of print after two years as it did to write a classic. And as a quilter and artist, I appreciate books that provide me with lessons for years to come.

I often hear people complain about how expensive books are, which is why I go for those that provide me with lasting value. I enjoy patterns, booklets, and other fun diversions. But they don’t have the lasting value of a book.

Color Mastery has nine quilt projects. If you bought them individually in a pattern, each would average $15.00. Multiply that times nine and you get $135.00.

Color Mastery also has 11 exercises, and has twelve months worth of class material. I teach shop owners how they can offer a different class each month using the exercises and projects in the book. A full-day class averages about $60.00, and 12 of them would be $720.00.

$135.00 worth of patterns/projects, and $720.00 worth of classes is a total of $855.00. Still think a book is expensive? Look’s like the world’s best bargain to me.

The real test of a book-lover’s book is this: does it provide those things that make a reader’s life easier, that will make the book last, and makes it easy to find, or get more information? I printed Color Mastery on museum-quality paper using the best photographer and printer in the industry.

I included an index to make information easy to find. Look at the latest quilt book you bought: I bet it doesn’t have one. Publishers are skimping on this kind of stuff and betting you won’t notice. Bibliographies too. I want to know how to find out more information when I’m interested in a topic, and I know my readers do too. And librarians love them.

Does the book’s binding last? Is it sewn or glued? Color Mastery’s is sewn, of course. And it has a spine, so you can find it on a store shelf or your own.

Look for these qualities when you buy a book. Be a discerning consumer. Expect them in your books and ask for them. And support quilt book authors who give you the best.

Here we’re doing an exercise with value, and I suggest that my students share fabrics and use the color they have in abundance.  Each of the three separate tables had the most fabric in what color?

Green.

Me too. What about you?  Greens are in abundant supply in most shops and in nature.  When I organized my fabric stash by color, I was really surprised by what colors I had in plenty and what I was missing.  My shelves were full of red and green, but I didn’t have much in the way of blue, and I love blue!

And here’s my class photo from my Color Mastery workshop the last weekend in May at my hone shop, Sew Memorable:

Maude, Sharon, Barbara, and Dixie are showing off their fat quarter bundles they coordinated themselves from an exercise we do in the class.  It’s an enormous leap for quilters to go from a printed color wheel to actually putting together their own color palettes in fabric, and these ladies did a tremendous job!